Lazzuli Baroque

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Biographies

Luce Burrell (they/them) is a lutenist originally from the Rocky Mountains of Wyoming. They have performed with ensembles such as Clarion Music Society, Lazzuli Baroque, Silentwoods Collective, Theotokos Ensemble, Mannes Opera and they have appeared in concert series for Gotham Early Music Scene, SoHip Boston, and the Bloomington Early Music Festival. They are passionate about making early music accessible and have appeared as a guest artist in lectures at Harvard and Indiana Universities discussing music of the Baroque and middle ages. Luce also works as a historical keyboard technician and has prepared instruments for productions at The Metropolitan Opera and Carnegie Hall, among other venues. Luce holds a bachelor's degree from the New England Conservatory of Music and a master’s degree from the the Jacobs School of Music where they were a Historical Performance Fellow in the studio of Nigel North.

Described as “a delightful performer… playing with the ease of a pub fiddler,” (The WholeNote), Keiran Campbell (he/him) has performed with ensembles including The English Concert, NYBI, Philharmonia Baroque, The Boston Early Music Festival Orchestra, Four Nations Ensemble, and Les Violons du Roy. He recently performed with Le Concert Des Nations under Jordi Savall, touring Europe performing Beethoven Symphonies before recording them on Savall’s new Beethoven CD. He is also on faculty at the recently formed, UC Berkeley-based, Chamber Music Collective. Recent performance highlights include concerto appearances with Tafelmusik and Philharmonia Baroque Orchestra, and performances of Handel’s Saul and Solomon with English Concert at the BBC Proms and Edinburgh Festival.

American singer, performance poet, and writer Rocky Duval (she/her) has been performing professionally since the age of 11 and has appeared in opera, television, stage, concert, off-Broadway, and the TEDx stage. Hailed as “deeply moving” (NYPL-LPA), and “extravagant” (NY Times), Ms. Duval specializes in singing baroque and contemporary classical music, and has performed with many companies, including: The Metropolitan Opera Guild, Seattle Opera, The Glimmerglass Festival, Festival Bach Montreal, Frequent Flyers Aerial Dance, The Colorado Music Festival, The Seattle Symphony, Opera Steamboat, Tafelmusik Baroque Summer Institute, among many others. Her first play, Hildegard, Reborn, premiered at Lincoln Center with sponsorship from the NYPL-Library for the Performing Arts in 2024. She has been a resident artist at 2B&2C Gallery NYC, Avaloch Farm Music Institute, The Guggenheim’s Works and Process, and the Art in Odd Places Festival.

Originally from Quebec City, soprano Roseline Lambert (she/her) quickly made her way into the baroque scene of Toronto. She regularly sings with professional ensembles such as Trinity Bach Project, and is a core member of the Tafelmusik Chamber Choir. In April 2025, she made her solo debut with Opera Atelier in Charpentier’s David et Jonathas. While her repertoire is mainly baroque, she has been invited to sing in contemporary choirs such as Soundstreams Choir 21. Before moving to Toronto, Roseline was in high demand in Montreal. Her repertoire as a soloist includes Haydn’s Creation, Orff’s Carmina Burana, Buxtehude’s Membra Jesu Nostri, Bach’s Wedding Cantata, among others. She also took part of Donizetti’s Don Pasquale tour with Jeunesses Musicales Canada, and was soloist with the Orchestre symphonique de Montréal, and the Choeur Classique de Montréal. Roseline is also a registered acupuncturist practicing in Toronto. When she isn’t singing or poking people, she is out and about salsa dancing, swing dancing, or riding her bike Marcello.